Margarida Garcia Lisbon, Portugal
Margarida Garcia developed since the 90s a simple, melodious, slow and melancholic language for electric contrabass. She moves well beyond contemporary improv praxis with a coil that runs deep into the contemporary psychedelic underground. She worked and recorded with Loren Connors, Marcia Bassett, Thurston Moore, David Maranha, Gabriel Ferrandini, Mattin, Björn Schmelzer and Manuel Mota, et al. ... more
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One that will reward repeated listens, seems at first pretty impenetrable but stay with it . . .
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Disarm
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The Only Way To Go Is Straight Through
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supported by 6 fans who also own “The rust within their throats”
This is the kind of guitar work that made me fall in love with Sonic Youth in the first place. Not the polished angsty Television inspired guitar dueling of their later years and not the aggressively atonal finger-bleeding frenzy of their late ‘80s/‘90s output but their gnarly, Captain Beefheart-esque early material. This is like something sinister emerging from primordial ooze, confused and scared and angry. This is noise…glorious, hideous, eardrum-shattering NOISE.
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Recording as Allenheimer, Atli Bollason dismantles Icelandic pop songs, making illusory new ambient material from the component parts.
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Request Stop
by Various Artists
Brachliegen Tapes's electronic compilation finds magic in the simple act of riding the bus.
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Written in response to the climate crisis, “Leviathan” is a brooding and beautifully unsettling batch of dark ambient songs.
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supported by 5 fans who also own “The rust within their throats”
I was a child of the 80’s in far flung New Zealand, and my first taste of Thurston was via an indie tv station Max TV in the mid 90’s. Hypnotized with the Diamond Sea and treated to the treasure, Little Trouble Girl. Screen Time holds secrets to both those tunes, with the principle of breaking the screen time of youth and journeying like we did in the 80’s and 90’s with passages of sound that tingle all the senses
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