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Margarida Garcia developed since the 90s a simple, melodious, slow and melancholic language for electric contrabass. She moves well beyond contemporary improv praxis with a coil that runs deep into the contemporary psychedelic underground. She worked and recorded with Loren Connors, Marcia Bassett, Thurston Moore, David Maranha, Gabriel Ferrandini, Mattin, Björn Schmelzer and Manuel Mota, et al.
